One interesting aspect of the exhibit was that it incorporated black-and-white photographs of the artist and his garden as he experienced it --and an incredible black-and-white film of Monet painting in the garden.
Claude Monet, June 1926 |
as well as color photographs of the garden over the years in a slide show format viewed from comfortable seating while listening to soft music.
Monet's garden at Giverny today |
Water lily maintenance at Giverny |
Another aspect that made the visit a garden moment was that, as a gardener, I could understand Monet's obsession with the beauty of the waterlilies as a flower and, as an artist, I could sympathize with Monet's compulsion to capture the moment and the beauty by trying over and over to "get it right." This piece was from a private collector and was not signed--a hint that Monet might not have considered it finished.
Monet's Water Lilies with Reflection of Tall Grasses |
It was this piece that brought to mind my art instructor's voice: "No, the color is not right. That place where the grasses grow is muddy and full of garden debris. It needs to be darker and more rich in the colors of decaying vegetation. The reflection is more grey and cool than the actual grass."
A section of my pastel of Monet's Garden |
No comments:
Post a Comment